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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Paradox of the Actor ： ウィキペディア英語版 Paradox of the Actor ''Paradox of the Actor'' ((フランス語:Paradoxe sur le comedien)) is a dramatic essay by Denis Diderot elucidating a theory of acting in which it is argued that great actors do not experience the emotions they are displaying. ==Content== The essay consists of a dialogue between two speakers in which the first speaker is espousing the views of Diderot on acting.The first speaker argues that the great actor is characterized by a complete absence of any feeling; and that the art of the great actor consists of displaying the illusion of feeling. The reason is that if the great actor were to become emotional he would not be able to play the same part in the theater in repeat performances with the same success. Also, those actors who depend on feeling when performing usually give unpredictable or uneven performances.The great actor is thus guided by his intelligence, and not by his emotion. Once the great actor has studied and conceptualized his part through intelligence, he will be able to give repeat performances successfully irrespective of what is going on in his personal life. Occasionally, the character he is playing, as conceptualized by the great actor, transcends the character conceptualized by the author. Diderot gives the example of Mlle. Clairon, who once played a character in a play authored by Voltaire; Voltaire, who was in the audience, had cried out "Did I write that?" on seeing her magnificent performance. Diderot accepts that a great actor like Mlle. Clairon could experience emotion when portraying the character for the first time; but in repeat performances she would be in complete control of her emotions. Diderot also gives an example of the great actor's theatrical discipline: 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Paradox of the Actor」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.